“In this, her phenomenal third collection of poems, Spencer's indelible voice serves as a guide on a journey that invites us readers along the way to excavate the intricacies of memory. She weaves her verse with seductive, stringent image and flavor; each reading yields new discoveries, unveiling the unconscious modes by which we access our own creative capacity for healing.”

—Sonya Wohletz, author of One Row After/Bir Sıra Sonra

“Glass Labyrinth embodies the nuanced and questioning life of its writer. Each poem is something enticingly new, each page another adventure into a world of hopes and dreams. Spencer explores experience and possibility with every word, turning a life of chaotic multitudes into a quaint and curious collection. Her poetry reflects powerful simplicities as though they were moonlight on water— a fun and unforgettable read."

Caidan Walker, Editor-in-Chief of Lucky Lizard Journal

Spencer's book encapsulates the mess of decision making when you don't know exactly where life will lead you. Reading these poems felt like living a whole lifetime, and somehow, I came out the other side feeling a little more healed than when I began."

Sarah, Founder of Sad Girl Diaries—An Online Literary Magazine

Glass Labyrinth

From the author of Stories for When the Wolves Arrive and Out of Love in Spring, comes a unique “choose a pathway” poetry collection of poetry. Whether it’s your first venture into the Glass Labyrinth, or fourth, Spencer’s ephemeral poetry and storytelling contain many surprises and sublime charm. A rising poet not to be missed.

“You are:

 Lying in a bath of dried dandelion heads, contemplating the death of summer and the heavy bags of soil you have left propped against the tub. Your head leans back against the bathtub’s slant, imagining a window through which you can see the moon.”

Reviews

“Spencer’s work is an ethereal meditation on loneliness, grief, and the relentless swirl of life. The ‘choose-your-own-adventure’ format adds nuance to the dreamy feel of the prose. Phrases landed within my consciousness and left ripples.”

Beth Cato, two-time Rhysling Award winner and author of A Thousand Recipes for Revenge

Glass Labyrinth is brilliant. Absolutely brilliant. Not only the format, but also the poetry it contains. I recognised myself in these verses, and my characters, and also a twin sister who never actually existed. It is evocative, magical and beautiful but wholly accessible even to people who are brand new to reading poetry. It is a book that I will definitely get lost (and rediscovered) in again and again.”

Rhonda Parrish, author and anthology editor


“To read Glass Labyrinth is to enter the surreal world of dreams and memory. Its warp and weft might not serve as a carpet except perhaps, of the flying sort, but would serve well as fiber art for your dysfunctional family room. Falling into this rabbit hole reveals a world of fireflies, ants, snails, and bathing in a bathtub full of dandelions. At the bottom is the landing place of rocks and soil and rot where tomatoes and orchids grow fitfully while lightning bugs flash on an off. It also contains perhaps the best definition of poem ever written. It's a fun romp to read it straight through. I urge you to take every alternate path to experience the richness of this adventure tale disguised as a book of poetry.”

Emily Moon, author of It’s Just You & Me, Miss Moon

"This collection surprised me in the best way. It explores identity, memory, personal growth, and the way we hold on to things we can’t quite explain: unanswered questions, versions of ourselves, feelings we haven’t figured out how to let go of . . . It felt less like reading and more like wandering through someone’s inner world — and finding pieces of your own in there too."

Kaitlyn Marquart, Author of Amber Luna: My Bright Light

Stories for When the Wolves Arrive

Stories for When the Wolves Arrive is both an academic and psychological exploration into the deeper themes behind our best-known folklore. This poetry collection examines feminism, anti-capitalism, trauma, and healing within this framework and leaves no stone from the path unturned.  

Reviews


"Hailey Spencer’s remarkable debut shows us what fairytales are made of. Both butcher and baker, Spencer strips the flesh of wordplay from the bones of motif and archetype, kneads rhyme until elastic, and feeds the snake of metaphor to itself. Stories For When The Wolves Arrive is recursive, like trauma, and glorious, like recovery. You’ll want to follow this breadcrumb trail to the end."

—Sonya Vatomsky, author of Salt is for Curing

Out of Love in Spring

Out of Love in Spring is a strange little book about love, loss, and the changing of the seasons. This collection walks us through a journey of falling in love before you’re ready, and falling out of love exactly when you’re meant to. From pantoums on killing birds to job applications about the loss of identity after a breakup, this collection will surprise and delight at every turn.

Reviews


Hailey Spencer’s intense, intimate poems announce the arrival of a powerful new voice on the poetry scene. With the clarity of a wordsmith, the ear of a musician, and the feelings of a heart boiling over with passion, Spencer traces the pilgrimage of love from desperation to resignation. In this tightly integrated collection one biting poem to the next thrills the reader with unforgettable images woven together with subtle rhyme:

“Last night we unzipped our skin.
I thought it’d be a relief to be human again
But to my surprise, I found
that I missed the smell of smoke
from the villages I left burning in my wake.” 

Spencer’s voice is relentless as she drills into the dangers of love. Read these wonderful poems at your peril—and your delight.”

–Sharon Cumberland, author of Strange With Age. 

 

“Hailey Spencer’s Out of Love in Spring takes the reader on a pilgrimage, along the pathways of a story that is both universal and deeply personal – the falling into and out of love: both source and abyss. The short epigraph-like pieces introducing each of the chapbook’s four parts haunt like Sappho’s fragments, a fitting echo for poems unafraid to leap headlong into passion’s turbulence.”

–Laura J. Braverman, author of Salt Water

“I often worry that I am unable to tell the difference between the brilliant and the abysmal in poetry. Then I see something like this and it reassures me that I can tell when something is good.”

–Catherine Potter, editor, Red Ogre Review